[ YARD SALE ] |
So what’s the STORY
morning glory?
In this prelude to the 'Night of the Owls' saga, we find a tale
of times past plus a tale of times present. And very nice they are to.
THE PAST:
Once upon a time there lived a young Gothamite who found
himself in a very bad situation indeed. He was poor. His father had died. And
he had to take care of himself by performing tricks on the street. Then, one
day, a nice man enrolled him into Haly's circus, propelling this young lad to
find fame, fortune, and love.
THE PRESENT:
Warning. Nightwing has to save Mayor Hadley from 'The Court
of Owls' before this mysterious fringe group chops his block off. Additional
Warning. Even if Nightwing succeeds in the endeavor, he still has to watch his
back from a threat from the past.
William Cobb. His ancestor. Who stabs him in the chest four time's.
OK, not back. Front.
For a change, the opening remarks of this book really hit
home the nature of this piece.
'This is a story about love. About sacrifice. About
betrayal. This is the story... of how the man I will kill tonight is Gothams
worst betrayer of all'.
Impending prose. Has an almost 'radio announcers' air about
it.
What was the BEST
thing about this issue?
I really did enjoy reading this dual strand-story, because
in a very nice way it has eased me into this 'Night of the Owls'
crossover-event. Moreover, I did get a big kick out of the revelation at the
end, POW! Although it was something I did second guess near the end.
What was the WORST
thing about this issue?
Hmmm. This is difficult to say really. Because I really did
enjoy most of this story by in large. But if I had to pick one gripe within
this tale, it would be how Alfred acted as 'Mister Exposition' where the
overall narrative is concerned.
What was the most
CREATIVE thing about this issue?
STORY: I have to confess, since watching 'Godfather Part 2' I've become a big fan of the past / present tale format. This issue did
especially well with this type of yarn, by managing to mesh and titivate both
aspects together by the end of the book.
ART: The art on this comic was class through and through.
Eddie Barrows has a somewhat Dickensian style to his artwork anyway, and this
came through even more in the 'past segments'. Also, I have to say that I did
appreciate the muted palette in this segment as well. Bravo colorist, Rod
Reis.
YOUNG COBB: To me, pretty-boy actor, Zac Efron, looks like
he could one day grow up and become an axe murdering assassin. Just look at his
eyes. They follow you around the room.
MAYOR HADY: You do not need an actor for this part. You need
a bonafide political git. Michael Heseltine, the one time well-groomed bag-man
to the Iron Lady herself, Margaret Thatcher.
If this issue had a
MOVIE TAG LINE, what would it be?
Please Sign Up With Find-Your-Family.Com. Wouldn't You Want
To Know If One Of Your Ancestors Came Back To Life And Wanted To Kill You?
If this issue were a MOVIE,
an OBJECT, or a piece of MUSIC, what would that be and why?
This one is a no brainier for me. All the way through this
issue I was whistling to the theme tune of 'Once Upon a Time in America'.
Classic Sergio Leone and Enrico Morricone collaboration.
FINAL thoughts...
What a great start to a cross-over event that I thought
would be crap. OK, I may be slightly presumptuous with my remarks so far.
Though you just ask any good construction expert - you need to have a good
foundation before you can build a sturdy house. Let's hope the cement dries in
time.
MARKS out of 10? 9
NIGHTWING #8
Reviewed by David Andrews
on
May 04, 2012
Rating: