Hellraiser 3 : The Film
THE STORY:
Now in my most humble opinion, I would have to say that
over-eager journalist, Joanne Summerskill (Terry Farrell), is one hell of an
emotional woman. She's haunted by visions of her dead father dying on a
nondescript battlefield. She's plagued by the sight of a young punk blowing up
in front of her very eyes. Oh! And let's not forget that she is rather
enraptured by the comings and goings of a slightly loose young lady called Terri
(Paula Marshall).
Hey! Wait a minute! You do know who Terri is, don't you?
She's the 'ex' of that pimp named J.P. Monroe (Kevin Bernhardt), who run's
that dodgy night club down town called the 'Boiler Room'. Plus she's also that rather
sneaky street-urchin who leads Joanne to discover that J.P. has purchased two strange
items of very hellish importance.
Yeah. Honest to God. The first item is a mysterious
puzzle-box that caused a major disaster quite some time ago in a mental
institute run by a Doctor Philip Channard. Plus the second item is a statue
which holds the inanimate remains of the wanton spirit known as Pinhead (Doug
Bradley).
Well, when I say 'inanimate', that is until this spiky faced
f*cker persuades J.P. to feed him his patron's one at a time, giving him all
the energy he will ever need to raise hell on Earth (thus the title).
Still, I suppose that is why what next transpires all kicks
off when J.P. and Terri swap vocations, and Joanne is paid a visit by Pinhead's
better-half, Captain Elliott Spencer. As origins are revealed - night clubs are
a killing field - cleaver journalists run away - and a box is the key that save
everyone at the end of the day.
Or does it?
THE REVIEW:
Now if I had to sum up 'Hellraiser III - Hell on Earth' with one single phrase, that phrase would have to be 'Oh dear!'. Well, if I'm being honest
with you, dear reader, it looks like this horror flick has been plagued by 'sequel
syndrome'. You know what I mean by this, right? It's that hellish film
franchise blight which infects all 'subsequent movies' with too much
splash-splash, and not enough bash-bash.
Here, let me tell you what I mean by this in bullet point
form: (1) For a horror movie, this piece does start off in a
very labored way. Honestly, the central plot doesn't really kick in until the
forty-five minute mark, and even then it only comes in drips and drabs. (2)
There are certain scenes in this film that are played to the camera, as if they
were meant to be included in the trailer. Straight up. This becomes more and
more blatant as the adventure progresses, with the actors looking just adjacent
off frame and declaring something pithy and bold as if they were selling
detergent. (3) There are too many illogical plot discrepancies in this film
that are sometimes very hard to ignore. For example, why didn't Pinhead kill
Joanne as soon as she confronted him, instead of chasing her all around town?
Also, what the hell was that whole section with Pinhead and J.P. all about? Why
didn't old prick-face just eat whoever he saw fit before hand? (4) Now taking into consideration the special
effects available in this era, I have to say that those on show weren't really that
good in execution. It's as though the producers ran out of money or something
prior to this stage of development, and just 'made good' with the funds that
they had at their disposal. (5) As much as I didn't mind seeing the 'monstrous
versions' of the bad-guys, if truth be told, there wasn't that much point to
their presence in this movie at all. They came across as too vapid and not
enough substance as a theme. Simple as that really. (5) Apart from Joanne and
Doc, I couldn't have cared less if the other characters in this film were
killed or not, because they did not have that relatable edge I could associate
with. (6) To me, the three best parts of this movie were: Firstly -- the
whole 'Pinhead origin sequence' with Captain Elliott Spencer. Secondly -- the
'Hellraiser 2 recap' with Kirsty [click on link for the review]. And thirdly -- some of the 'investigative
scenes' with Joanne. I found these segments gave the overall production an
extra added dimension, which I'm sure could have been expanded upon if the
central plot wasn't lost in superficiality.
Overall 'Hellraiser III - Hell on Earth' is a film that
could have been a lot better if it tried to do something more than second guess
audience expectations. If it wanted to do a 'Pinhead origin film' -- fine --
they should have done a 'Pinhead origin film'. Instead of introducing new
characters that were as relatable as a rich self-imposed orphan who enjoys
baroque art for the sake of bravado. Right? Nuff said.
THE RATING: B
HELLRAISER III - HELL ON EARTH
Reviewed by David Andrews
on
January 02, 2013
Rating:
