The Triumph of Sherlock Holmes
THE STORY:
Why thank you very much for coming out of retirement to
investigate the death of my husband, Mister Holmes (Arthur Wontner).
Yet, to be completely honest with you, I had a sneaking suspicion
something like this was going to happen sooner or later.
You see, many years ago, whilst we were living in America ,
my late husband John (Leslie Perrins) joined a gang of crooks who frequented a nearby
tavern. And I'll tell you something for nothing, Sherlock, this motley crew were really up
to no good. Extortion. Thievery. The works. They did everything in their power
to make a fast buck in spite of the local authority's best efforts.
However, as time past John finally decided to show his true
colors. And this in turn resulted in some of the gang being pinched, whilst me
and my other half made it all the way back to England
for safe keeping.
Well. We thought we were, anyway.
But then again, that's most probably why what next
transpires all goes old-school when Doctor Watson (Ian Fleming) catches me laughing
in the garden. As the game is a foot - a string of lies goes kaput - a dead man
eventually join's the party - and at the end of the day, look out Holmes, for
here comes Professor Moriarty (Lyn Harding)!
THE REVIEW:
From a narrative point of view I'd say 'The Triumph of
Sherlock Holmes' was a story of two unequal halves. Whilst one part of its
concentrated on Holmes trying to figure out who murdered a man, the other part
of it concentrated on the man's back-story and eventual fate.
Now I know that this may sound fairly straight forward and
pedestrian on the surface, dear reader. But as I just said, the two halves
presented were very unequal. Essentially it favored the 'back-story' part of
the narrative more than the 'Holmes' part of the narrative, and this
inadvertently made the 'Holmes element' act as a book-end to the overall murder
mystery.
I also noticed that the exposition came across somewhat
top-heavy on occasion. And even though I did like the way the actors acted --
all upper-crust, working class, or prim and proper -- in the same breath some
of them weren't able to give their words any form of gravitas or depth.
Of course I'm not referring to Arthur Wontner or Ian Fleming's
performances. Generally speaking their portrayal of Sherlock and Watson was
very warming on the screen. As a matter of fact, not only was it warming, my friends, I'd even go so far as to say their on screen chemistry felt more
authentic than some of the other actors who have attempted to play these parts.
Well. Let's face it. Doesn't Arthur look like Sherlock
Holmes to you? Furthermore, if you ever get around to watching any of his
movies, I bet you anything you'd think he sound's like him as well! Especially
when he does one of his summations to explain why x did y to z!
Also, something else about this movie I thoroughly enjoyed,
where those scenes where Sherlock encouraged Watson to 'chip in' on the
investigation. In my eyes these sequences show what's at the very heart of Sir
Arthur Conan Doyle's creation. A partnership and a common bond that illustrates
they're very much two halves of the very same coin. A coin, I might add, that
outshone the wise-guy 'back-story' component even though it had a lot less time
in the spotlight
Overall I'd say 'The Triumph of Sherlock Holmes' was a rather
pithy little footnote on the whole Sherlock Holmes mythos. Even though the
back-story overpowered Sherlock's presence, as push comes to shove Sherlock and
Watson still made it through despite its bi-polar tone.
A timely tone. Nuff said.
THE RATING: B-
THE TRIUMPH OF SHERLOCK HOLMES (1935)
Reviewed by David Andrews
on
September 16, 2014
Rating:
