Demolition Man
THE STORY:
Imagine you're living in a utopian society sometime in 2032, when all of a sudden a mysterious figure defrosts from his cryogenics slumber the 20th Century bad boy, Simon Phoenix (Wesley Snipes), prompting him to cause mayhem upon the city streets.
So what do you do about it? Huh? You. The 20th century enthusiast, Lieutenant Lenina Huxley (Sandra Bullock), from the "San Angeles" police department. You know that your fellow officers can't cope with a criminal such as Simon, so why don't you defrost the man who arrested him in the first place? John Spartan (Sylvester Stallone). So that he can 'take him down' his way.
OK. I have to admit. It will take John quite a bit of time to acclimatize himself into his new surroundings. And even then, he'll only be able to catch up to Simon when he breaks into a museum to obtain some firearms for himself.
No. I'm afraid to say that John won't be able to catch Simon at this precise moment in time. This 'bad-boy' will escape from John's grasp, and then attempt to shoot the key developer of this futuristic world, Dr. Raymond Cocteau (Nigel Hawthorn), whilst running free.
Hey! Don't fret, Lenina. Simon can’t shoot Raymond dead! He'll run away instead. Because Raymond was the man who manufactured Simons release in the first place, as well as being the evil mastermind who implanted inside him subliminal messages that: [1] Enhance his abilities. [2] Goads him to kill underworld deviant, Edgar Friendly (Denis Leary). And [3] Makes sure he doesn't kill his savior either.
Moreover, after this event, Cocteau will also award you and John for Simon's departure, which inadvertently instigating a confrontation between John and Edgar that.... err... doesn't really go according to plan.
Then again, I suppose that is why what next transpires kicks off on the following day. As confrontations are made - heroes are dismayed - attacks dissolves into ice - and a kiss on the lips is very-very nice.
THE REVIEW:

Heck, from its very first scene you can tell how this film is going to end. Yet, it is the manner in which this story is told in, that distracts you from the obvious nature of its premise. The fights are fine for an nineties-american production. The special effects are not that bad either. But for me, personally speaking, it is the humor which makes this movie stand out from the crowd.
Honestly. It’s all those inadvertent side gags that really brings the sparks to this piece. Such as the fact that salt, swearing, and sex, are all deemed illegal for instance. Also, how Sandra Bullock’s character keeps on mispronouncing slag in an unfortunate way is very charming too. Plus, whenever anyone swears, a machine goes off and announces an imposed fine.
Granted, one or two of these gags are a little ‘off’ in my book. Like the commercial jingles some of the cast sing. But all in all most of them work within the confines of the reality this film has presented us with.
'And why is that?' you may ask yourself. Well, it's the cast of course. Sly does his usual macho man bit. Wesley is like an animated manga cartoon. Nigel plays the 'token mastermind' with a great air of authority about him. And Sandra is just so cute and so adorable, the very thought of her makes me want to take a cold shower very-very soon.
Wait a minute! I might as well do just that. So before I go I best mention that overall ‘Demolition Man’ is a great action movie, and is presented in the same vein as other sci-fi comedy action films as ‘The Running Man’ or ‘Evolution’. Lovely.
THE RATING: B+
DEMOLITION MAN
Reviewed by David Andrews
on
March 21, 2011
Rating:
