[ BITING BAT BARGAINS ] |
To QUOTE Bruce Wayne:
'I'm
just going to have to get better at my job, I guess'.
THE STORY:
If you tilt your head sideways and call me 'Shirley', I'm
sure you'll be able to deduce, that this penultimate chapter, entitled 'Lights Out',
is a tale easily divisible by three.
Now the first part concentrates on telling how Batman comes
under heavy fire from the Gotham City Police Department. In the second part the
Dark Knights eventual savior, Jim Gordon, tells him how a young Bruce Wayne
haunted him into becoming the cop he is today. And in the third and final part
of this adventure, Batman ultimately cottons on to who's really pulling Doctor
Helferns' strings.
It's none other than... BOOOM!
THE GOOD:
Despite not being very keen on its narrative-structure --
which is a point I'll touch upon later -- overall I'd say that this was a great
issue of 'Batman'.
For a start, Greg Capullo's art work was out of this
blooming world. And I especially liked the way he drew those brutal introductory
scenes between Bat's and the Gotham City Police Department, plus how Greg made
Bruce come across somewhat philandering in his approach. Amateurish even.
Scott Snyder's story-line was also very enjoyable too. Mainly
because his premise goes to show that if you're willing to put in the work, and
properly carry out the job at hand, at the end of the day 'doing right' means
more than 'doing might'.
Oh! And while I'm on the subject of ethics, I have to
mention that I myself wasn't quite sure about that scene where Gordon told Batman about his 'past transgressions'. I mean, why should he tell him this tale when it's about his
relationship with Bruce Wayne? Furthermore, why should Gordon feel guilty for
leaving Bruce on that night in question, when all it takes for him to resolve
this situation, is to tell Bruce why he did what he actually did?
Know what I mean?
THE BAD:
I suppose the only slight gripe I have with this issue is
that its narrative structure -- although very straightforward and easy to
follow -- does tonally shift from one segment of the story to another.
Please, don't get me wrong, I really did enjoy reading this
escapade an awful lot. It's just that from a narrative point of view, each part
of the tale drifted from one scenario to the next, and with it, the story's emphasis
as well.
THE MUSIC:
On an aesthetic level this tale is about two men trying
there best to become better people than what they originally were. Therefore,
after a modicum of forethought and conjecture, how can I not pair it up with
the Tina Turner anthem, 'Simply the Best'!
OK. I know this might sound somewhat strange, folks. But in
my eyes this tale reminds me of pain relief
medication, due to the fact that this cleaver substance can heal you, harm
you, and make you feel better if used wisely.
THE CONCLUSION:
There was a scene in this story were Alfred Pennyworth told
Bruce Wayne that one of the main reasons he became Batman in the first place, was
because he wanted to punish those people around him -- like Gordon and himself
-- for not helping save his parents.
Now the way I see it, dear reader, is that this is a very intriguing
line of thought to purview in the case of the young Bruce Wayne. Well, could it
possibly be true that Batman is nothing more than a tool to push those people
away from him, who ever try to get too close? It seems that way, doesn't it? Especially in
the light of the more recent 'Death of The Family' bat-saga!
Although another way of looking at it, is that Bruce Wayne conjured
up the idea of Batman because it was his own self-defense mechanism, of
protecting himself against himself.
Try to think about it for a moment. If Bruce is angry with
those people around him for not helping save his parents, wouldn't he also be angry
with himself too? After all, he was present at the scene of the crime. Plus he has
been known to be harsher on himself than those people he permits into his
domain.
Food for though.
Food for though.
BATMAN #27
Reviewed by David Andrews
on
February 06, 2014
Rating: