Three Husbands
THE STORY:
Excuse me, Saint Michael. But I was wondering if you'd allow
me to eavesdrop on a couple of friends of mine. You see, prior to
passing away, I diligently left behind three letters that re-defined the sanctity
of their marriages.
Now in the first letter I implied to my pal Arthur (Shepperd
Strudwick) that I was doing to his wife Jane (Ruth Warrick) what he wanted to do
to that artist, Matilda Clegg (Louise Erickson). If you catch my drift!
In the next letter I sent to my Mummy's boy of a nephew,
Kenneth (Robert Karnes), I insinuated that his wife Mary (Vanessa Brown) took
care of me a little too well whilst she was nursing me back to health. Wink-wink!
And finally, in a letter I sent to my old mate Dan (Howard
Da Silva), I inferred that I taught his wife Lucille (Eve Arden) the French language in a rather oral fashion. Au Jed wee, mon ami?
So what do you say, Saint Mick? Will you allow me to
eavesdrop on my friend's? Or is that why what next transpires gets
rather emotional when you say to me, 'Sure, Max (Emlyn Williams). You can
eavesdrop on you friends. You crafty beggar you'. As one of the couples have a
blazing row - another couple rethink about a solemn vow - the third paring
decide to call it quits - and at the end of the day, the reading of a will
makes everyone do the splits.
[Sorry. I Can't Find A Trailer For This One, Folks]
THE REVIEW:
On the whole I'd say 'Three Husbands' is one of those films'
which has it all. It has a great cast of characters which were as charming as
charming can be. It has a pretext which is one part jovial, one part
suspenseful, and all parts captivating. And to top it all off, I just loved
watching every single minute of it, as it was one of the most delightful films
I've had the pleasure of reviewing for quite some time.
You see, essentially it tells a tale of three men who try to
deal with a message sent to them by a dearly departed friend -- played magnificently
by Emlyn Williams -- insinuating that he 'went' with their wives while their
backs were turned. Of course, with this
being a film developed during the early fifties, there isn't any actual naughtiness going
on in front of the camera. Instead, all of the naughtiness is implied to have
happened behind the camera, if at all.
Now from a structural point of view its initial
premise was set up very quickly, before allowing the rest of the movie to tackle the three
individual scenarios one at a time. And in so doing it also allows the
characters to grow, the plots to become more absorbing, as well as to allow us
-- the audience -- to try to figure out if Max's initial three letters are true
or not.
Thankfully, this simple structure is enhanced to an even
greater degree by some sparkling performances. Even though I personally
preferred watching the segment played by Howard Da Silva and Eve Arden --
because they were so funny in it -- that's not to take anything away from those
other two segments. Cause each of them -- in their own subtle manner -- allowed
the plot and the pretext to be painted in different emotional hues. One of them
with a more sombre tone. One of them with a more sweeter tone. And one of them,
as I implied previously, was very down to Earth funny.
I mean, take one of my most favorite scenes for
instance. In it, Eve is being harassed by two racing pundits, who try to get
her to back a certain horse. When suddenly her husband shows up -- as played by
Howard -- who tries to break up this jovial encounter by nudging these two pundits
to one side. 'Hey! Do you know who this woman is?' says one of the pundits to
Howard. 'Yeah! Slightly!' he says in turn. 'She's my wife'.
Ha! What a hoot! Oh! And while I'm on the subject of the
men in this film, let's not forget how each of them took a different approach at
dealing with Max's letters. Once again, making three similar sounding story-points
possess a differentiating perspective from one another. Never the same. Never too
different. Yet always cohesive and whole.
Anyway. I'm sure by now you got the basic gist of what I
thought about this marvelous comedy. So how about we all now sit back, relax,
and check out the following filmic-facts. (1) 'United Artists' first released
this production in San Francisco , California ,
on the exact same day William Faulkner was awarded the Nobel prise for
literature. It was on the 10th of
November, 1950 . (2) Loosely translated, this project was entitled
'Three Wives for a Lover' in Sweden ;
'Don Juan's Suicide Notes' in Denmark ;
and 'Three Husbands Cheated' in Portugal .
(3) The majority of this movie was shot at Hollywood 's
'Motion Picture Movie Studios', situated within the Californian state of Los
Angeles . (4) Vera Caspary, who's a well known novelist
that wrote this film, is best known for writing and adapting the screenplay for
the 1968 John Llewellyn Moxey classic, 'Laura'. (5) This comedy was directed by
Irving Reis, and his claim to fame was to set up and manage the 'CBS Radio
Columbia Workshop' during the 1930's. (6) If you look very closely at that scene
where Arthur is playing poker, you'll notice in one shot he's holding his cards
in his left hand, whilst in the next shot he's holding them in his right. Ops!
Slight continuity gaff. (7) Herschel
Burke Gilbert composed the song 'Poor Chap' for this movie, and throughout his
sixty year career devised the arrangements for such productions as 'It's A
Wonderful Life', 'The Adventures Of Superman', 'Leave It to Beaver',
'Gilligan's Island', and 'Perry Mason'. (8) After this flick committed bigamy,
Eve Arden starred in the TV series, 'Starlight Theatre'; Ruth Warrick starred
in the musical, 'Let's Dance'; and Vanessa Brown starred in an episode of the
'Pulitzer Prize Playhouse'.
Overall I'd say 'Three Husbands' was one hell of a cracking
film for all the family. Not only does it start off in a very original manner
-- visions of heaven, anyone? -- but it also ends on a very funny note too.
Mwwwa!
Nuff-said.
THE RATING: A-
THREE HUSBANDS (1950)
Reviewed by David Andrews
on
January 07, 2015
Rating:
