[ BITE THOSE BARGAINS ] |
To QUOTE Geoffrey god damn Chaucer:
“Me thynketh it acordaunt to resoun / To telle
yow al the condicioun / Of ech of hem, so as it semed me, / And whiche they
weren, and of what degree, / And eek in what array that they were inne; / And
at a knyght than wol I first bigynne.”
THE REVIEW:
This review
should really only need three words to get you to buy the book...
Magical canine
spermatozoa.
If that's not enough for you, I don't know what else I can say to try and get you to buy it. But we've got plenty of screen space left, so lets give it a go. Percy -- who concluded his beautiful, albeit abruptly ending, opening arc last issue -- looks to be poised to deliver another great tale with what started this month. The tale so far is mostly prologue. However, it's a great prologue that feels like it's the opening pages to a classic graphic novel.
If that's not enough for you, I don't know what else I can say to try and get you to buy it. But we've got plenty of screen space left, so lets give it a go. Percy -- who concluded his beautiful, albeit abruptly ending, opening arc last issue -- looks to be poised to deliver another great tale with what started this month. The tale so far is mostly prologue. However, it's a great prologue that feels like it's the opening pages to a classic graphic novel.
All that happens in the current timeline is
a framework for Oliver's current girlfriend (hello, Kyra... goodbye, Kyra) to take
him to a seer, presumably to learn more about one another, only to get a
prophetic history of George's supernatural pedigree instead. And, of course, our requisite September
“post-Flashpoint character debut” that so many titles are doing. The rest is all prophecy. Or dubstep.
Sometimes its hard to tell.
The seer appears to be the same
“wart lady” that forecasted doom from a soapbox in front of Emiko's private
school, only with a fancy starred scarf. But Oliver doesn't make any comment
about recognizing her, or being surprised to find she has a shop in Pike Place
Market. Plus the monologue also makes
the implication that maybe the whole shop “wasn't there a second ago” scenario,
so who knows how much of this issue is floating in the deep end of the mystic
side of the DCU?
What I know for certain is that I'm loving
the way Zircher and Fiorentino created such a real-world accurate
representation of the market. Every
issue makes it feel more and more like Green Arrow takes place in our world, even if we
know it doesn't. Which of course begs
the question as to whether the guy we see in a Batman t-shirt is a fan of the
mysterious vigilante from the other side of the country, or if he just picked
up his pull list from Golden
Age Collectibles (directly below the fish market – perhaps that's where
Wart Lady really works?).
What else matters? Let's see, we get a little touch of character, establishing why Oliver can't / won't have a stable relationship anytime
soon. (Does this mean we've seen the
last of Naomi Singh?) We get the
introduction of Catalina Flores. And we
get the Bone Hunters, a thus far fairly mysterious enemy, but wonderfully drawn
despite having a somewhat cliché appearance.
The key difference between them and the multitude of other skull-mask
wearing cults in DC and other comic universes, of course, is that given their
name and hobby, I'm not so sure they're “masks”.
Most importantly, though, we've got... dum-dum-dummmmm, The
Legend of George. It feels like Percy is
gently nudging the Green Arrow mythos towards his wheelhouse, giving us a saga
that starts in an isolated arctic town as roots for the modern day urban
battle. He establishes a folklore scaled
battle between nature, man, and beast, with native spirituality and literal
demonic artifacts to spice things up.
When he goes full-on comic book magic with his Athabaskan healing
poultice, I missed a beat due to being pretty sure that Athabaskan has
no written form (thus “old words that can not be written, only said” lacks the
intended gravitas), but the legendary origin story for George was a tale that
could stand alone if needed.
The art, though perhaps a bit gory at times for some folks' tastes, was a spot on match for the tone of the legend. It works for the rainy streets of modern Seattle as well as the flashback to snow blanketed Burns. And don't think I didn't notice the wolf with Lobo styled dark fur around his eyes (Styled like the eyeshadow of Lobo the Czarnian, of course, who's name means wolf in Spanish). Cheeky artists.
The art, though perhaps a bit gory at times for some folks' tastes, was a spot on match for the tone of the legend. It works for the rainy streets of modern Seattle as well as the flashback to snow blanketed Burns. And don't think I didn't notice the wolf with Lobo styled dark fur around his eyes (Styled like the eyeshadow of Lobo the Czarnian, of course, who's name means wolf in Spanish). Cheeky artists.
THE MUSIC:
This one is just too easy. It doesn't really have a “rainy day in
Seattle visiting the seer” vibe, nor a prophetic “maze of history” vibe, but it
does rant on and on about wolf blood.
So, yeah, your theme song for this issue is the Misfits' Wolfs
Blood.
Yes, I do use Misfits songs a lot [Editors
Note: Agreed]. No, that's not a bad
thing [Editors Other Note: Also Agreed].
Perhaps I'll see if I can switch to a Misfits-only comparison section
without ruffling too many site editor feathers? [Yet Another Editors Note: No Comment]
Since the legend in this issue deals
heavily with some ancient religious magic, the best comparison I can draw is to
the cave paintings in Lascaux , believed by scholars to be associated with “the magic of the hunt”. The Old One was a hunter and a trapper, so it
stands to reason that his fancy sack of conch, willow, and the salt of his own
tears was based in hunt-magic.
THE
CONCLUSION:
As I mentioned, the only problem I had with
this issue is that one line about non-spoken words in the Old One's
magic. But hell, that's not a big deal,
and I may very well be wrong about the Athabaskan languages. I was wrong a couple of reviews ago when I
thought Green Arrow was Percy's first foray into comics (he previously penned
that two-part “Terminal” tale last year in Detective
Comics #35 and #36),
so what the hell do I know?
I do know that we have a great magic-tinged
tale coming our way. We've got a tale
that's tied to the prior arc in a organic way.
We've got a character we haven't seen since the opening arc of Gail
Simone's pre-Flashpoint Secret
Six (I think). We've got a
mysterious new enemy cult with apparently limitless numbers and mystical
roots. As someone who prefers mortals to
superheroes, and was very saddened by the severe dwindling of our magic titles
after Convergence, this is a wonderful match up. I have great expectations.
We've still got unanswered questions from the prior arc, such as the logic and fate of Zimm, and the dynamic between Oliver and Emiko, but neither appear to be pertinent to the story we're about to be told. We do seem to have an indication that Oliver's identity is still secret, though, or else Kyra might've gotten a last name.
GREEN ARROW #44
Reviewed by David Andrews
on
September 28, 2015
Rating: